FICTION: POST-APOCALYPTIC SCI-FI SET IN SF, PART 6
The Spike (Begin at the beginning of the story here) A titch later we’re drying off by a burn barrel, pretty high up on the cliff face, and the Seertlekimmie is telling me about the harvests. The rays and octopus are coming in more and more, but landin’ a whale’s
Fiction: Post-Apocalyptic Sci-Fi set in SF, Part 5
Part Five Jump the Shark (Begin at the beginning here) The next day I go to see the Seertlekimmie. He’s up and about, putzing around the dock and even though he ain’t lookin’ so hot he seems in good spirits. We stroll around the docks, a sprawling maze of rickety
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Post-Apocalyptic San Francisco Sci-Fi: Part Four
Part Four Fancy Pants So I go up to Deska’s house. As a council member she gets to live in one of the old houses. It’s not made from scraps of cloth, driftwood, and piled stone, not like most of the city. It’s real timber with real windows, not just
Fiction: Post Apocalyptic Sci-Fi set in SF, Part 3
Chapter Three “Devil’s Teeth” By the time the peaks of Devil’s Teeth start to loom on the horizon, the sky is a thin strip of pink and red being squashed by a dark block of purple. Getting closer to the cliffside settlement, the orange plastic fences point me towards the
Fiction: Sci-Fi set in SF After the Apocalypse, Part 2
Carlos Zephyrson (Or How Rock and Roll Survived The Apocalypse) Chapter Two Zephyros Returns (Click here to start at Chapter One) The doc leaves me alone in that cold-ass room in that damn ridiculous dress. Strange lights are hummin’ in the ceiling and the faucet’s drippin’. I hear people
We wanna send you a copy of Judson Vereen’s ‘American Pleasure: A Psycho-Sexual Novel’
American Pleasure is a psycho-sexual first person narrative by American artist Judson Vereen. Set in San Francisco, the work explores exactly one year of the writers various personal struggles within a rapidly changing city. Judson, the books author and narrator, is a high school drop out resigned to inner
Lavinia Ludlow : Writer you Should Know
Lavinia Ludlow got into writing because she couldn’t play ice hockey and didn’t have access to a punching bag. She writes about misfits, troubled relationships, and indy artists struggling to make it. Her style combines the three-chords-and-attitude charm of a garage band with the transatlantic wit of something more clever.
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