You’re in a small, brown, clapboard cabin, or possibly the hold of a ship. There are twisting passageways of bookshelves lined with sugarcoated classics and newspapers covered in blackness — redacted or perhaps burnt. Meanwhile the teachings of Jesus and other religious materials sit unmolested. Reflective plastic sheets bounce distorted,

A Jew after my own heart, Linda Ellia has made an art of defacing relics of Nazism.  In 2005 Ellia came across a French translation of Hitler’s infamous memoir Mein Kampf (which means ‘œOur Struggle’ in English).  Holding the thick manifesto in her hands, she felt an immediate visceral response