Think Again is a Sacramento band with roots in pop-punk and a unique developed rock/alternative sound. Each performance is filled with high-energy and enthusiasm that is magnetic and will leave you wanting more. The five members of this band hope to inspire every aspiring artist to pursue their dreams. Tuesday, December

Taking on the music industry with their own unique sound, Australian rock band Hands Like Houses has spent the last 3 years bringing their powerful, high-energy brand of music and live shows to an increasing fan base across Australia, the US, Europe and the UK. Their distinctive style launched them

I’ve got some awesome news! We received a grant from the Civic Joy Fund to put out a literary magazine celebrating SF and acting to counter the stupid “Doom Loop” narrative. It’s a gift to the people of San Francisco. And after months of working on this project it’s now available

Every week we feature a different person from the community shedding a little light on their life of brokeitude. Who knows, maybe you’ll learn something about the human spirit — probably not.

  Here’s a fun little show you all can win some tickets to. I don’t know much about the bands other than that they have cool names, but I’ve got a pair of tickets to giveaway. Here are the details and the entry form is below: Bourgeois Productions Presents and

Bottom of the Hill is one of the premier music venues in San Francisco. It’s pretty damn sweet. You can catch everything here from Dear and the Headlights to Kinch to folk and funk. Now certain Mondays are just another reason to dig this place. Bottom of the Hill plays

You are Plural is comprised of Jen Grady (cello, vocals) and Ephriam Nagler (Wurlitzer, piano, vocals), two of the loveliest people and most creative musicians I’ve had the pleasure of knowing. I reviewed their debut album a few months ago on SFGate. Here’s what I said (and yes, I’m quoting

My pal Jamie sings and plays bass in The Moanin Dove. He also plays bass in almost every other good band in San Francisco. And I don’t mean just wimpy regular bass that anyone can play (I can’t), but the super-manly upright bass. That’s basically (BASSically!) the largest instrument you

I remember seeing Rogue Wave as a college freshman in my school’s tiny multipurpose room, the then four members barely fitting on the makeshift “stage” and me wondering the whole time if any of them would consider banging a just-turned-legal fan.  Back then, Out of the Shadow was the album