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Why Inauthenticity Destroys American Cities

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Any major city in America that’s worth visiting, exploring or moving to is usually rich in culture. There’s a certain accent or walk that gives its residents a distinct flair that beautifully differentiates them from other places where big buildings gather beside people whose dreams are even bigger. 

But when money comes, everything changes. 

A divide begins to develop…

The neighborhoods filled with people, normal people who do normal shit, are replaced by the descendants of wealth. These high income people aren’t necessarily bad by any means, but their points of reference are skewed by media depictions of what a city should be. So they behave in an inauthentic way which robs them of their ability to develop a genuine connection with the people who are actually from there. 

A divide begins to develop. Wealthy people are equally terrified and fascinated by the poor. The fascination stems from an inherent spontaneity that comes with having less to lose socially. New cultural trends come from an ability to look stupid. When you have little, when you’re an outsider to some extent, you already believe that other people think you’re stupid. There is a freedom to this that allows experimentation. 

For most who grow up on the other end of the class spectrum, there is little room for experimentation. Rich parents force their children into a life of rigidity. Structure dominates them and then they are sent off to college and they get a job… Once they get this high paying job, they want to experience life. They want to go to a place that looks like the things that gave them the little joy they were allowed to have in their youth and they want to become one with it while maintaining themselves in a way that would allow them to reap the benefits of their sacrificed adolescence. And they inadvertently destroy them. 

people that grew up in major cities don’t live in fear of being bland, because no one ever told them that they collectively were.

This isn’t just about gentrification in the sense of rising rents and shops aimed at newcomers, but a weird obsession with novelty that most people trying to live their lives can’t really relate to.

Most people born and raised in San Francisco or Oakland or anywhere really are ultimately similar. They go to work, they have families, they go to local bars and they do their best to live their lives. The difference is, people that grew up in major cities don’t live in fear of being bland, because no one ever told them that they collectively were. 

Those who come from the upscale parts of suburban America have a fear of being out of touch, so what do they do? They move to cities and make that their personality. They grow silly mustaches and ride unicycles. There’s nothing wrong with a mustache or a unicycle, but one has to wonder, did they ride a unicycle in their hometowns? Probably not. 

This perpetuates the divide in cities, not just economically, but individually. If you behave inauthentically, you’re building a wall around yourself and most people will find it hard to connect with you.

I personally have never seen anyone who wasn’t an actual clown ride a unicycle… and then I visited Portland, Oregon and saw several men on unicycles. A few years later, I saw a dude on a unicycle in Oakland. He was dressed similarly to the men I saw in Portland.

This perpetuates the divide in cities, not just economically, but individually. If you behave inauthentically, you’re building a wall around yourself and most people will find it hard to connect with you. 

If you’re an actual weirdo, it’s refreshing. If you’re a fake weirdo, it’s nauseating.

You know when someone takes you to a neighborhood that isn’t touristy and is generally middle to working class and someone describes it as “the real San Francisco,” or whatever city you’re in? It’s because the people there are less likely to do attention seeking bullshit. 

If you’re an actual weirdo, it’s refreshing. If you’re a fake weirdo, it’s nauseating. You know the difference. When you meet someone who looks fascinating and creates amazing shit, you gravitate toward it. Basquiat is a great example of someone who looked interesting, and actually was. If someone is displaying their truth, it is usually attractive, and if not attractive, it’s at least respectable. 

This insecurity bleeds into all kinds of weird shit, most notably activism.

Why do we see so many Black Lives Matter signs in the wealthiest parts of urban America? Because they’re insecure in their allyship. If the wealthy were sincere, they wouldn’t just appropriate the mantras of the oppressed, they’d use their collective influence to make things better. They’re not. 

Don’t scream for change publicly and hope it fails privately.

Everyone in San Francisco agrees homelessness is a problem, and everyone in San Francisco is a self described progressive, yet our problems persist. 

If you’re not sure about who you are, just say it. Don’t cover your body in tattoos that mean nothing. Tattoos are cool, but generic tattoos are boring. Just as boring as the beige and taupe outdoor malls that you ran away from. You don’t have to look like an artist to be an artist. You just have to make art.

If you don’t like the idea of oppression, but scared of losing the shit you’ve got, tell the truth. Don’t scream for change publicly and hope it fails privately. 

This is the problem with gentrification, it’s not just the rent, it’s the perpetual participation in a masquerade that no one admits to participating in. 

Just be honest. America’s cities depend on it.

The best conversations are the honest ones. The best art is the art made spontaneously. The best stores are the ones everyone can afford to shop in. And the best people are the ones who aren’t trying. 

So be yourself, it’s the most interesting thing you’ll ever be. 

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Abraham Woodliff - Bay Area Memelord

Abraham Woodliff - Bay Area Memelord

Abraham Woodliff is an Oakland-based writer, editor and digital content creator known for Bay Area Memes, a local meme page that has amassed nearly 200k followers. His work has appeared in SFGATE, The Bold Italic and of course, BrokeAssStuart.com. His book of short stories, personal essays and poetry entitled Don't Drown on Dry Ground is available now!