Bannam Place is easy to miss. The unassuming alley skewers a Green Street block of North Beach favorites, dividing Sodini’s from the former location of Baonecci Ristorante. By day, the slim passage is populated by stray tourists and residents enjoying a midday smoke. By night, it’s host to barhoppers seeking

San Francisco’s SoMa neighborhood, like much of the city, is a picture of disparate details: luxury, innovation and fine dining, shadowed by rampant homelessness, substance abuse and human suffering. It seems appropriate, then, that SoMa’s 111 Minna Gallery is no home to vacuous art. In recent months, gallery owner Michelle Delaney has

As 2024 winds down, we’re reflecting on another incredible year of sharing the stories, art, culture, and nightlife that make the Bay Area so unique. BrokeAssStuart.com wouldn’t be what it is without you—our community of readers, supporters, and believers in independent media. This year, instead of asking you to join Patreon

By: Lydia Sviatoslavsky, Lisa Hix Oakland’s Mosswood Meltdown returned to Mosswood Park with a shiver this year, cloaked in a bizarre July chill. Given the gloom, the ongoing pandemic, gun violence and political turmoil, the collective gathering on Saturday and Sunday for the sake of punk and its subversive thrust felt a

Since 2012, early July signaled the return of Burger Boogaloo to Oakland’s Mosswood Park. The annual music festival featured local bands and longstanding legends, including the Jesus and Mary Chain, the Dead Boys and Ronnie Spector of the Ronettes, hosted by the master of ceremonies, cult filmmaker John Waters. Co-produced

“I simply had a loopy plan that I executed with maniacal energy over 24 years, and I kind of pulled it off.” So says prolific singer-songwriter and record producer John Vanderslice in the final chapter of TrueAnon Presents: “Keep the Dream Alive,” a five-episode podcast series on the history of his legendary analog recording

A reanimation of the legendary Oakland dive bar.

In recent years, the starving writer rarely encounters new opportunities for well-compensated publication. This is especially true in the Bay Area, where rent prices climb and creatives cower, as locally lauded publications like California College of the Arts’ Art Practical and Wolfman Books’ New Life Quarterly quietly fold out of financial necessity. So, when

Peter Y. Sussman may be known for his command of language, but he is poised to leave his mark on the visual arts. On Friday, May 6, Sussman celebrated the opening of his first solo photography exhibition, “The Attentive Eye,” at Alliant International University in Emeryville. Following his 29-year stint