Tune Yards new album is an unflinching examination of modern identity, intricately rendered in the manically infectious way that only Tune-Yards can. Drawing on a recent foray into DJing and inspired in part by C.L.A.W. (Collaborative Legions of Artful Womxn), her radio show highlighting female-identifying producers, I can feel you creep
Conor Oberst is an American singer-songwriter from Omaha, Nebraska. He has been writing and recording music since 1993. In that time he has recorded and performed in many bands and musical collaborations including Commander Venus, Monsters of Folk, Conor Oberst and the Mystic Valley Band, Park Ave., Desaparecidos, and most
Parquet Courts began their 2014 release Content Nausea with the repeated refrain, “everyday it starts – anxiety!” And while that track left off at just its start, Human Performance dives in, picking apart the anxieties of modern life with the band’s most innovative and emotional collection of songs to date.
Murder By Death is a Louisville, KY quintet with a wry, ominous name. But behind the geography and moniker is a band of meticulous and literary songwriters matched by a specific brand of brooding, anthem-riding balladry and orchestral indie rock. Murder By Death’s path began in the early 2000s as
Fantastic Negrito is a man’s truth told in the form of black roots music. Each song a real story about a musician from Oakland who experienced the highs of a million dollar record deal, the lows of a near fatal car accident that left him in a coma, and is
Gogol Bordello never stays in the same place for long. Bandleader Eugene Hütz started to hear the songs of Seekers and Finders as he shuttled back and forth between three continents, and the nine-piece ensemble developed and refined them on the road. From its inception, Gogol Bordello has been a
On Waiting on a Song, Dan Auerbach’s first solo album in eight years, it’s clear he has finally made Nashville his home. The album is his love letter to Nashville, filled with songs of sin, dangerous women, beautiful tarnished losers, undying love and equally undying friendship. Thursday, February 15, 2018 |
San Francisco-based producer Giraffage (Charlie Yin), whose dreamy synth-pop productions have appointed him as one of electronic music’s most refreshing and innovative producers among the landscape, takes a sonic leap forward with his forthcoming record Too Real, out this October on Counter Records. Yin grew up in San Jose, California to two