We strolled onto the damp, January asphalt a block or so from Warriors Stadium, and were immediately contacted by a clown. “Bonne soirée,” I said.  He feigned to be impressed by my French, made an elaborate bow as onlookers laughed, and gave me a clown nose for my efforts. Right

Cirque du Soleil returns to San Francisco with its production of “Amaluna,” under the Big Top at Oracle Park’s Lot A. “Amaluna” offers another installment of Cirque’s famous and beloved “nouveau cirque” style, with a strong central storyline told by amazing live acrobatic performers, set to continuous live music. “Amaluna”

It’s Springtime in San Francisco, which means it’s time to put your phone on silent for a while and step out into our fair city to sing, eat, and play with the wonderful people and programming on offer. Whether in the flesh or on a live stream, the journalists and

The smell of popcorn and anticipation greet you under the big tent, as parents, punters and press sip wine and chat excitedly before the premiere of Cirque Du Soleil’s AMALUNA in San Francisco.   Amaluna is directed by Tony Award-winner Diane Paulus, and it is female-driven, nail-biting action.  It may just

Gimme the ol’ razzle dazzle– the lights, the glamor, the glitter of show business. Then take it down about 50 notches, put it in a tiny theatre in suburbia or in a high school multipurpose room, and make the actor playing the leading man double as my neighbor’s dad who