In recent years, the starving writer rarely encounters new opportunities for well-compensated publication. This is especially true in the Bay Area, where rent prices climb and creatives cower, as locally lauded publications like California College of the Arts’ Art Practical and Wolfman Books’ New Life Quarterly quietly fold out of financial necessity. So, when

A Woman In Her Room A woman in her room feels sometimes that she lives on the back of the world, as if, while studying a tapestry, she found she had been gazing at its rough reverse.  On Rossetti’s ‘Blue Silk Dress’ Jane Burden, famous for your face and illustrious

We like poetry (we swear) and we’re making space for it, too. Today’s Broke-Ass poet is local author and “busy, somewhat overfed crepuscular passerine,” Curt Hopkins. III. The paranoid dead From the broken soil spirits whisper, Goth and Magothy are the kings of the Unclean Nations. The dead are the

During the height of the pandemic, we all had to hit pause on any amount of fun for a moment while we sat inside waiting for the world to reset. The toll that took on us was huge. Since then, I’ve been bopping around the Bay Area finding the places

This goes out to all the dreamers who have dreamt of permanent creative maker spaces in the Bay Area. While the fabric of The Bay Area’s artistic communities has repeatedly been at risk of being pushed out, a newly formed space called Seaport Studios in Richmond is here to stay.

Exactly one decade after its debut in San Francisco, Vacation closed its Tenderloin storefront at 704 Larkin Street on February 15, 2022.  Kristin Klein, the owner of the legendary vintage shop, was initially drawn to the Tenderloin as a “timeless snapshot of a city,” imbued with a great nostalgia “where

Leah Morrett is the owner of Sour Cherry Comics, a new queer-centric bookstore and community space in the Mission District that opened at 3187 16th St. earlier this month.  “Sour cherries are not sweet, and that’s the point,” she tells me. “[The name’s] a little subversive, a little cutesy, and

“I’ve been creating coffee-table books for bands largely from the ’80s for the last few years,” says Aaron Tanner, a visual artist known for his design work with Ween and the Pixies. “When the opportunity presented itself to do a book with one of the most inspiring visual groups ever,